Dancer simulator

New York City is the center of American theatrical and concert dance. You can place your character near Lincoln Center, Broadway theaters, or training studios like Steps on Broadway. Los Angeles is the capital for commercial dancers who book music videos, films, and world tours around Millennium Dance Complex.

In Europe, London offers West End musical theater, the Royal Opera House, and classes at Pineapple Dance Studios. Paris is the historic home of classical ballet at the Palais Garnier and cabaret shows at the Moulin Rouge.

For steady resident contracts, Las Vegas hosts major casino productions and Cirque du Soleil shows along the Las Vegas Strip. In Buenos Aires, dancers train at the Teatro Colón or perform professional tango in historic dance halls called milongas.

A dancer works late nights, weekends, and holidays, with both matinee and evening shifts. That schedule makes it hard to attend family gatherings or keep normal hours. In LifeSim, the people in your life have their own weekday and weekend routines and remember what you tell them.

You form close bonds with castmates who share long hours of blocking and spacing on stage. Use group text threads to stay in touch or plan an outing to a real café or park. You can also join happenings on the map, like birthday drinks, house parties, or karaoke after a late call time.

LifeSim does not have a career ladder, audition mini-games, or a job performance score. You become a dancer by writing the role into your character prompt at the start. You can begin as a student at The Juilliard School, a company swing, or a veteran principal dancer.

You grow your career through your daily to-do list, your life goals, and the people you meet. Edit your cast to add a strict rehearsal director, a rival at open cattle calls, or an injured lead dancer. Your conversations and daily activities change your cash, your health, and your relationships.

Maya, 22, lives in New York City and works as a swing for a musical near Broadway. Her job is to memorize multiple background tracks so she can step in if someone gets hurt. She sets a life goal to perform a lead track full out before the season ends.

Each morning she searches the map for a studio near Broadway Dance Center and walks there. In the afternoon, the director texts her that a lead dancer twisted an ankle during warm-ups. Maya talks with the stage manager before call time, steps into the role, and reads her day recap that night.